It is the season to lounge on the sofa and consume a tin of festive treats in front of a good movie, a awful feature, or one that’s so bad it’s good.
As always, a selection of latest Christmas films strives to join part of our seasonal watchlist—perhaps even finding a spot alongside timeless staples like Home Alone, Elf, Love Actually, and Die Hard (we won’t debate it).
Thus, in a vital public service to separate the winners from the losers, and to find the festive feeling, I binged as many recent Christmas films as possible in a single day.
Beginning, ideally, on a high. This film is the only 2025 entry on a popular review site's list of the best 100 festive features of all time.
The musical trio find themselves trapped in the UK after wrapping up their global concert series and must make it back for Christmas. Their endeavors are thwarted by an malevolent Father Christmas, who breaks into song to state they won’t get home until they “find their brotherly magic.”
The banter between the arguing trio is enjoyable even for the uninitiated, while devotees will no doubt pick up on lots of easter eggs as they attempt to get back using every mode of travel possible.
It’s private planes, trains and automobiles.
It’s not a timeless masterpiece, but is great for fans and a positive start to the day.
Holiday verdict: 🎄🎄🎄🎄🎄 for Jonas Brothers fans or 🎄🎄🎄 for their loved ones who must sit through it.
A-list actor Kiefer Sutherland stars as a celebrity roped into a pantomime.
“A panto-what??” asks Sutherland’s “hard-to-work-with” and ageing lead Brad Mack, who has fallen on hard times and whose agent has tricked him into thinking he’s starring in high-class London stage.
His Aladdin co-stars inform him he’s playing Buttons. “Absolutely not,” he retorts. You can guess their reply. Except if you’re not acquainted with traditional British theatre traditions.
There are some hilarious moments, some cockle-warming side stories, and the ensemble is excellent, too.
It’s the sort of feature that would be a bit naff at a different time, but is a great entertainment at Christmas.
Christmas tree rating: 🎄🎄🎄🎄
A familiar face pops up at the start of this film, too, calling someone a mug for the next movie straight. Might this become a new Christmas tradition?
This time, he’s a singing black cab driver who collects Mr Sood, the modern take on Mr Scrooge from Charles Dickens’ A Christmas Carol.
Mr Sood is played by The Big Bang Theory’s Kunal Nayyar and Christmas Karma is directed by the filmmaker behind Gurinder Chadha. The well-known tale develops as the miserly Mr Sood is haunted by the ghosts of Christmas past, present and future, played by Hugh Bonneville, Billy Porter, and Boy George.
This Indian Scrooge is at least distinct from all the others, but unfortunately he’s not very compelling and Nayyar’s performance is lifeless—a significant issue when he’s so central to everything.
Festive score: 🎄🎄
Before lunch for a network's holiday special—which stars Guz Khan as a lovably grouchy guy who “isn't big on Christmas.”
But after he is awarded an £8,000 Christmas bonus at work, his wife (starring Morgana Robinson) talks him into spending the sum on a holiday to Lapland.
There’s just one snag—he finds out there was an mistake with his bonus, which should have been £800, and he has to figure out how to pay back the remainder.
Fun while it lasts but not lasting.
Festive score: 🎄🎄
This is one of those Christmas films where the decorations and snow are in the background—Christmas is the environment of the film rather than its main point—but it feels comfortable and seasonal all the same.
High-powered businesswoman Sydney (starring Minka Kelly) is assigned to a country estate to negotiate a purchase for a sparkling wine company. During her travels, she runs into a fellow in a book store who promises to show her the holidays in the City of Light.
A critic recently stated this is the best new Christmas film of the past few years. That’s a bit of a stretch, but it is a festive dalliance with a dash of elegance and gives the obligatory cozy feelings.
The scene with a detailed conversation about Die Hard is very good too.
Festive score: 🎄🎄🎄
Sixteen-year-old Chris, played by Lenny Rush, holds onto his belief in Father Christmas, in spite of the attempts of his dad (played by James Buckley) to tell him the reality.
The answer is out there, and Chris ventures forth to find it with the expert help of a group of well-known scientists and personalities.
It’s understated but sweet, and perfect viewing while anticipating Santa to visit.
Holiday verdict: 🎄🎄🎄
Michelle Pfeiffer is the mother of a quarrelling American family who reunite for the holidays—including fellow Oscar nominee Felicity Jones, Chloe Grace Moretz, Jason Schwartzman, and dad Denis Leary.
Pfeiffer opens by name-dropping Christmas classics like National Lampoon’s Christmas Vacation, It’s A Wonderful Life and Home Alone, before saying: “They need to make a movie about the real champions of the holidays—moms.”
So that’s what this is, but in reality it’s really a combination of those forerunner films, at least until Pfeiffer’s character eventually finds her strength.
Festive score: 🎄🎄
The day’s waned in quality, but thankfully here’s a new addition in the crowded field of predictable, sentimental, cheesy—and strangely compelling—festive fodder.
It’s a story as well-worn: An American woman journeys to a picturesque cold country and ends up discovering romance.
In this case, Caprice Bourret plays a publisher
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